'Fast & Furious' spin-off 'Hobbs & Shaw' comes out on top of a competitive weekend at the box office

Universal's "Fast & Furious Presents: Hobbs & Shaw" is the final big release of the summer, and because of that it had to take on a lot of strong holdovers in theaters this weekend to earn every cent.

But when the dust settled the Dwayne "The Rock" Johnson/Jason Statham action movie was tops at the domestic box office with an estimated $60.8 million. Compared to the openings of the main "Fast" franchise, it didn't perform as strong as the recent releases (it's the sixth highest, doing better than the $40 million opening of the first "Fast and Furious" movie), but was on par with last year's late summer release, Paramount's $61 million take for "Mission: Impossible - Fallout." Outside of Disney/Marvel releases, it's the biggest domestic opening of the summer (passing the $56.8 million opening for "John Wick: Chapter 3 - Parabellum").

Read more: How the director of "Hobbs & Shaw" suddenly became Hollywood's go-to guy for action movies, with a little help from Keanu Reeves and Charlize Theron

Like most blockbusters these days, it's what's going on internationally that's the true indicator of the kind of business the movie is doing. Over the weekend, "Hobbs & Shaw" earned 120 million overseas, putting its global weekend take at $180.8 million. That's a strong start for a movie with a budget well over $200 million (after counting marketing). The global figure is the biggest opening ever for a movie starring The Rock or Statham, outside of the main "Fast" movies.

In a summer where Disney dominated, this weekend was one of the rare times where the box office was nicely spread out.

Disney's "The Lion King" came in second with $38.2 million, bringing its global total to an astounding $1.2 billion in just four weekends.

While Sony's "Once Upon a Time… in Hollywood" came in third place with $20 million, down just 51% from its opening weekend last week. A nice hold for the Quentin Tarantino movie that the studio hopes audiences will continue to flock to through August.

Original author: Jason Guerrasio

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